Hologram - Hologram+
[n5MD]

Hologram’s instrumental style may not touch the skyscraping heights of Japanese counterparts Mono, but there is something pleasing about this quartet’s approach that incorporates Guthrie inspired guitar textures within its translucent melodic sheen.

The first fruits of collaboration between n5MD and Japan’s Zankyo Records, sees “Hologram+” released into the western market while Zankyo are expected to eventually return the favour by distributing n5MD records in Japan.

Like Mono, Hologram’s music seems to revolve around their female bassist. Saori Yokoyama is integral to the flow of the music throughout . Her vibrant bass lays down solid foundations, complimenting the ebbing percussion, for the dual guitarists to weave their intricate textures.

However, Yokoyama’s vocals may be the most striking aspect of all, lifting tracks such as “XX” and “HARU” from pleasing instrumental compositions into echoic Cocteau Twins territories. On “Bird”, for example, her ethereal vocals seem to add something to the breezy atmosphere by complimenting the rich, liquid guitar drips.

Of the instrumental arrangements, “Moon” is peppered with psychedelic swirls and an undercurrent of electronics, that soon move it into a soaring climax that deviates from the general pace of the album, as the band step up a few gears. “Asagiri’s” sun-kissed vibe, meanwhile, lulls the listener into relaxation with a gorgeous glockenspiel and guitar arrangement, with a tempo that gradually increases in tandem with the percussion.

Although some may not appreciate the lack of variety in pace, Hologram’s style still goes down like a big spoonful of Calpol. Sweet and pleasing, this is basically unpretentious instrumental rock, executed with a degree of Japanese perfection.

Hologram+ Track Listing:

1. UANO-SORA
2. XX
3. FUYU
4. Moon
5. HARU
6. Bird
7. Asagiri
8. Union
9. Night swimming